HAILEY IRWIN
DTC'S FIRST
TIMERS CLUB
Come watch Hailey perform standup comedy for the very first time at DTC's First Timers Club Pride event at the Tank theater on June 29th! Ticket link below:
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DANGERBOX
Hailey is currently performing with Dangerbox, NYU's premier long form improv comedy team . Notable alumni of the team include Donald Glover, Bowen Yang, Chloe Troast, and more. She's looking forward to honing her long form improv skills and performing around NYU's campus with a hilarious group of people. To stay up to date on their shows, check out @dangerboxnyu on instagram.
COMIC SANS
Hailey is currently performing with Comic Sans, NYU's premier sketch comedy troupe. Alumni have gone on to work at Saturday Night Live, The Tonight Show, Late Night with Seth Meyers, and The Late Show with Stephen Colbert. Hailey is looking forward to continuing her experience with sketch comedy and performing at the People's Improv Theater here in New York. To stay up to date on their shows, check out @comicsansnyu on instagram.
THE CLASSICAL
STUDIO
Hailey has recently completed her primary training at the Atlantic Acting Studio and is now spending her final year at NYU at The Classical Studio. Over the course of the year students will rehearse two tracks within a Shakespeare play and perform it up to 30 times in the spring. Hailey is beyond excited to begin working with this incredibly talented ensemble and taking classes in movement, stage combat, Shakespearean text work, and more. Stay tuned for ticket information!
HONORS THESIS
Hailey is working on an Honors Thesis paper at NYU Tisch's Theater Studies Honors Program. The Thesis will be completed in the Spring of 2026, and will be advised by Professor Carol Martin. Her thesis seeks to answer the following primary question: How can theatre makers investigate themes of war and brutality in a way that is impactful rather than indulgent? Through an analysis of sensationalist media and our current political climate, she will seek to define a framework of best practices that approaches stage violence as a tool in which audiences can experience empathy rather than emotional numbing.